#BookPromo #Extract #TheHiddenGirlAndOtherStories @kyliu99 #KenLiu @HoZ_Books

Today I thrilled to be taking part in a book promo for The Hidden Girl and Other Stories by Ken Liu. This was released on the 25th of February published by Head of Zeus.

Thank you to Amber Choudhary from Head of Zeus for the invitation to take part in this book promo.

Book Details

The Hidden Girl and Other Stories by Ken Liu
Release Date: 25th of February 2020
Format: Kindle
Print Length: 432 pages
Genre: Science Fiction
Publisher: Head of Zeus
Buy Links:
AmazonApple Books Kobo  |  Google Play  |
Please note that these are not affiliated links

Book Blurb

From a Tang Dynasty legend of a young girl trained as an assassin with the ability to skip between dimensions on a secluded mountain sanctuary to a space colony called Nova Pacifica that reflects on a post-apocalyptic world of the American Empire and ‘Moonwalker’ Neil Armstrong, award-winning author Ken Liu’s writings are laced with depictions of silkpunk fantasy, Sci-Fi and old Chinese folklore, wrapped up in a mesmerising genre-bending collection of short stories.

Ken Liu is one of the most lauded short story writers of our time. This much-anticipated collection includes a selection of his latest science fiction and fantasy stories over the last five years – sixteen of his best – plus a new novelette. In addition to these seventeen selections, The Hidden Girl and Other Stories also features an excerpt from book three in the Dandelion Dynasty series, The Veiled Throne.

The Hidden Girl and Other Stories Blog Tour

Follow the tour along the way and see what these fantastic bloggers also thought about The Hidden Girl and Other Stories.

Want a peek into The Hidden Girl and Other Stories? Read below for an exclusive excerpt with the story Ghost Days.

NOVA PACIFICA, 2313

Ms. Coron pointed to the screen-board, on which she had typed out a bit of code.

(define (fib n) (if (< n 2)

1

(+ (fib (− n 1)) (fib (− n2)))))

“Let’s diagram the call-graph for this classic LISP function, which computes the n-th Fibonacci number recursively.”

Ona watched her Teacher turn around. The helmetless Ms. Coron wore a dress that exposed the skin of her arms and legs in a way that she had taught the children was beautifuland natural. Intellectually, Ona understood that the frigid air in the classroom, cold enough to give her and the other children hypothermia even with brief expo- sure, was perfectly suited to the Teachers. But she couldn’t help shiv- ering at the sight. The airtight heat-suit scraped over Ona’s scales, and the rustling noise reverberated loudly in her helmet.

Ms. Coron went on, “A recursive function works like nesting dolls. To solve a bigger problem, a recursive function calls on itself to solve a smaller version of the same problem.”

 (fib 3)

(fib 2) + (fib 1)

pastedGraphic.png

(fib 1) + (fib 0)

2 KEN LIU 

Ona wished she could call on a smaller version of herself to solve

her problems. She imagined that nested inside her was Obedient Ona, who enjoyed diagramming Classical Computer Languages and studying prosody in Archaic English. That would free her up to focus on the mysterious alien civilization of Nova Pacifica, the long-dead original inhabitants of this planet.

“What’s the point of studying dead computer languages, any- way?” Ona said.

The heads of the other children in the classroom turned as one to look at her, the golden glint from the scales on their faces dazzling even through the two layers of glass in their and Ona’s helmets.

Ona cursed herself silently. Apparently, instead of Obedient Ona, she had somehow called on Loudmouth Ona, who was always get- ting her in trouble.

Ona noticed that Ms. Coron’s naked face was particularly made up today, but her lips, painted bright red, almost disappeared into a thin line as she tried to maintain her smile.

“We study classical languages to acquire the habits of mind of the ancients,” Ms. Coron said. “You must know where youcame from.”

The way she said “you” let Ona know that she didn’t mean just her in particular, but all the children of the colony, Nova Pacifica. With their scaled skin, their heat-tolerant organs and vessels, their six-lobed lungs—all engineered based on models from the local fauna—the children’s bodies incorporated an alien biochemistry so that they could breathe the air outside the Dome and survive on this hot, poisonous planet.

Ona knew she should shut up, but—just like the recursive calls in Ms. Coron’s diagram had to return up the call stack—she couldn’t keep down Loudmouth Ona. “I know where I came from: I was de- signed on a computer, grown in a vat, and raised in the glass nursery with the air from outside pumped in.”

Ms. Coron softened her voice. “Oh, Ona, that’s not . . . not what I meant. Nova Pacifica is too far from the home worlds, and they won’t

GHOST DAYS 3

be sending a rescue ship because they don’t know that we survived the wormhole and we’re stranded here on the other side of the gal- axy. You’ll never see the beautiful floating islands of Tai-Winn or the glorious skyways of Pele, the elegant city-trees of Pollen, or the busy data warrens of Tiron—you’ve been cut off from your heritage, from the rest of humanity.”

Hearing—for the millionth time—these vague legends of the wonders that she’d been deprived of made the scales on Ona’s back stand up. She hated the condescension.

But Ms. Coron went on, “However, when you’ve learned enough to read the LISP source code that powered the first auto-constructors on Earth; when you’ve learned enough Archaic English to under- stand the Declaration of New Manifest Destiny; when you’ve learned enough Customs and Culture to appreciate all the recorded holos and sims in the Library—thenyou will understand the brilliance and elegance of the ancients, of our race.”

“But we’re nothuman! You made us in the image of the plants and animals living here. The dead aliens are more like us than you!”

Ms. Coron stared at Ona, and Ona saw that she had hit upon a truth Ms. Coron didn’t want to admit, even to herself. In the Teacher’s eyes, the children would never be good enough, never be fully human, though they were the future of humanity on this inhospitable planet. Ms. Coron took a deep breath and went on as if nothing had hap- pened. “Today is the Day of Remembrance, and I’m sure you’ll im- press all the Teachers with your presentations later. But let’s finish

our lesson first.

“To compute the n-th term, the recursive function calls itself to compute the (n–1)th term and the (n–2)th term, so that they could be added together, each time going back earlier in the sequence, solv- ing earlier versions of the same problem. . . .

“The past,” Ms. Coron continued, “thus accumulating bit by bit through recursion, becomes the future.”

The bell rang, and class was finally over.

Let’s Get to Know Ken Liu

Ken Liu is an American speculative fiction writer and the winner of the Nebula, Hugo, Locus, World Fantasy, Sidewise, and Science Fiction & Fantasy Translation Awards. The son of a pharmaceutical chemist and a computer engineer, Ken emigrated to the US with his mother and father at the age of 11. He graduated from Harvard with a degree in English Literature and Computer Science and later attended Harvard Law School. 

Prior to becoming a full-time writer, Ken worked as a software engineer, corporate lawyer, and litigation consultant. His debut novel, The Grace of Kings, is the first volume in a silkpunk epic fantasy series, The Dandelion Dynasty, in which engineers play the role of wizards. His debut collection, The Paper Menagerie and Other Stories has been published in more than a dozen language and his short story Good Hunting was adapted for an episode for Netflix’s science fiction web series Love, Death and Robots.

Stay up to date with Ken’s work by signing up to the mailing list on his website and by following him on these social media accounts.

|   Facebook  |  Twitter  |  Goodreads  |

Publisher

Stay up to date with upcoming releases published by Head of Zeus by signing up to receive a newsletter on their website and by following them on the social media accounts.

|   Facebook  |  Twitter  |  Instagram  | 

Share the book love

Comment